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Fame tribute to Edward Bunker

On July 19 the death of a genius.

How many people has noticed? The passionate readers of his books have certainly risfogliato these days at least one of his masterpieces to remember if any were needed, style and the true stories of survival that he witnessed a crime or whose cmq has heard from his "actors." Those who love the noir, the crime-novel/crime-movie, hard boiled ... can not know.

Edward Bunker was 71 years. I'm certainly not here to write a few words in his personal history, just read some of his statements to understand that a detainee was intellectual, one who spent many years in prison and that he chose to save himself by writing stories that are the facts occurred. A rarity. And all this thanks to an IQ above average.

Revered by two large, James Ellroy and Quentin Tarantino gave him the part of Mr. Blue in "Reservoir Dogs", has always written stories about criminals having the criminal perspective, concentrating on all facets of the American prison system. The great novel that made me know it is "like a wild beast" and I can not ensure that what the protagonist says Ellroy is absolutely true: "do not come out intact from your meeting with Max Dembo.

(the subtitle of the blog is a quote from page. 129)

From St. Quentin Tarantino Quentin
interview from Les Miserables

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Adaptation. (Adaptation)

"You are what you love, not what loves you"

Two words to describe what movie it is: the story original research originality of a story. But the obsessive drama of the need (or the obsession with the need) to find the cause in the nature of its movement, its evolution, its continuous adaptation ... in itself.
Spike Jones bows to the bizarre originality of the person and the genius of screenwriter Charlie Kaufmann and made the film about writing (and especially the attempt to write) the same script: The result is a film full of words, meaning and absolutely no heavy thoughts, not philosophical, about life, its origin, lies and so on and so forth. Charlie Kaufmann is a hero in spite of inner turmoil, loneliness for sociopathy, but also the hero of the genius who finally manages to give birth fregandonese (like all geniuses) of the rules of success. The interpretation that gives Nicholas Cage (like, if you wish, to Depardieu, as per instructions!) Of the twins is very good, Chirs Cooper and Meryl Streep in disguise know something really unusual characters, almost allenianamente, come out of the script and fit on the screen.
The thesis of the film Kaufmann-Jones to leave at least once by the change of characters (in) a story to tell the essence of a flower (Nature) is proof is dropped from the impossibility of its demiurge not to get involved: it is inevitable that enters into giving it the movement that it requires. It is the complementarity between author and work at the base of the reflection of Kaufmann-Jones. Not only that. I think the discussion also relates to the existential need to avoid becoming their thoughts, they do not get involved too much to remain locked in a trap with no right answers, making it possible to get out. The character of the writer is the true conception of the demiurge cmq powerful because its ability to objectify own words when writing a script and then the images of the film, manages to pull it out of the trap that could have remained. Its power is illusion-lie-inventing characters who are his alter ego (the twin is the most you can imagine) so as to be able to have an objective view, the complexity of its creation (not only artistic but also especially cognitive, mental, etc ...).

original film for these reasons but also because of cleverly put into the picture, a story apparently empty, the message is as simple as possible, to know how to love yourself (in the sense as universal as possible).