Broken Flowers hard to talk about a moody film that is enjoyed and appreciated as a coffee bar (of course, seated), a 'built its image from that great in Jarmusch film episodes Coffee and Cigarettes is. Conceptual one, maliconicamente this ironic. An irony is that cmq vaguely absorbed if you can not understand the minimal expression of the face with which Bill Murray carves his lines. Jim Jarmusch plays with the character played by Murray giving a name that is a whole history of adventures, an archetype that now would be difficult to sustain: Don (John). Here it is a melancholy film about the consequences of reckless adventure, insisting on searching for her mother (and not the child whose father suddenly finds himself to be) one of only four women who has not seen for twenty years. For us it is an occasion to admire the likes of actresses Sharon Stone and Jessica Lange, but also Julie Delpy, who play the sun and women equally bizarre cmq, goggled, for Jarmusch is a way to create four episodes in which to talk to people far away in time and space, to harness the delicacy in moments of palpable essence of the chaotic human relationships. Perhaps the film is slow, but how many other operations that are labeled the same way?
Broken Flowers is certainly a story that not final solutions, and removes write something, but it does give the right time to every thought, every mood of the protagonist. Too bad so consider only "slow". Broken Flowers cherish the pink color of all women and all possible adventures, music, a genre that I can not define, in the absence the time as well as the absence of wind, the blonde secretary of Dr. Lange. Jarmusch to bring home the tables on which to rest the coffee and conversations that revolve around us.
bad that after a few hours of the film remains only a residual pleasant memory.
The Caiman The Caiman is fun, I put the last Verdone equal to the amount of laughter .. even if you have to ask what may be worth a comedy Moretti, almost unconsciously, compared with verdoniana. I am told that the first is only irony (even if we can) and the second is the real comedian. Yet I feel like writing that Moretti could really make us laugh, but your stomach. Suffice it to be even more natural and would be the perfect synthesis between Mr Trombetta and Toto. Sci-Fi, of course, like his film. It is true that by Fazio has labeled this way? :) As a policy there is very little: it is touched because it is represented (the figure of Berlusconi) with great authority of intellect and humor. What then is the whole or presumption great talent intellectual-artistic-communicative each will decide this. But have fun, especially in the first part, the light (or at least not yet dark), one in which Moretti tells us that this film metacinematograficamente
in Italy would not have existed if it had never really felt the need. A line of reasoning that: the underlying concept of the film is the need, we have removed the political, intellectual and even less do not have the film (anti-matter harmless). That's critical stages of all types, genres that autorivalutano, screenplays that they become self-generated in the film, and, better yet, suitcases full of money that fall from the sky breaking through the ceiling of the highest office of Milan ' Italian Smarter and smiling, what a good definition, not only for himself but also for those who hate him. Just as happened in Donnie Darko, that he was only half done. Nanni Moretti. Del Caiman has said that spread over at least three levels: family, film and politics. I shall not the third, I laugh with the second, the first I say that I think I spent too little time with lego ... I want to conclude seriously. Nanni Moretti needs to go on TV, he needs to do something for television. This is seen as moving from the camera: a film for television, damn! He really needs to express themselves even more popular:)